At the concert for oboe and orchestra, more than one of Josep Julia’s phrases – What the hell!!! – made us think that all concerts have very nice things; especially when sensuality and a warm comprehension for the secrets of musical sensibility overflow the impeccable and rigorous technique.
Reviews
What a mature interpretation. The oboe was just like another register, singing melodies with scientific rigour and the best phrasing.
One detail: the organ can prolong the note without flagging, but the control that Josep Julià has on the fiato is admirable, it seems as if he has no necessity to take in air, and he does it in places that you don’t notice.
Sometimes we didn’t know that Josep Julia’s notes had started because of the sound similarity and because of such a sweet attack. His melancholic music transported us to emotionality. Melodies without words, the soloist’s expressivity was enough…
The second evening was staged by Montserrat Torrent doing amazing melodies with the organ of Sant Felip Neri, in perfect understanding with the oboist Josep Julià…
The impeccable and inspired version of Josep Julià appears as the most sensitive tube that forms the whole with the organ.
His Vivaldi seems unbeatable! Like if it were music that will keep on playing when we wake up in the beyond…
Josep Julia contributes to the happy outcome with a full sound and phrasing of great sensitivity…
We need to especially point out the tonal beauty and the elegant sound that Josep Julià gets out of his instrument.
The companetration between Montserrat Torrent and Josep Julià reaches enviable levels, very rare in other CDs. It is, above all, a love song to music.
An interpretation in which the highlights are a very elegant expressive sense and a careful phrasing. The sweet sonority that comes out of Josep Julia’s Oboe is marvellously fused with the organ…
Gabriel's Oboe* |
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Oblivion* |
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P.Soler Cantabile op.3 |
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Purcell When I am laid... |
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F.Sor La Champetre |
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Schumann Romança op94 |
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(*) peces del nou disc
petjades